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inauthor:"Edward W. Said" from books.google.com
Taken together, these essays--from the famous to those that will surprise even Said's most assiduous followers--afford rare insight into the formation of a critic and the development of an intellectual vocation.
inauthor:"Edward W. Said" from books.google.com
In works such as Culture and Imperialism, Said compelled us to question our culture's most privileged myths.
inauthor:"Edward W. Said" from books.google.com
This work is a mixture of emotional archaeology and memory, exploring an essentially irrecoverable past. As ill health sets him thinking about endings, Edward Said returns to his beginnings in this personal memoir.
inauthor:"Edward W. Said" from books.google.com
In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists.
inauthor:"Edward W. Said" from books.google.com
Edward Said takes an unusually sharp and penetrating look at the way in which the experts, the policy-makers and the media have dealt with the crisis in Iran and the Middle East.
inauthor:"Edward W. Said" from books.google.com
This reissued classic traces the ramifications and diverse understandings of the concept of "beginning" in history and offers valuable insights into the role of the intellectual and the goal of criticism.
inauthor:"Edward W. Said" from books.google.com
This collection includes essays by Lila Abu-Lughod, Daniel Barenboim, Akeel Bilgrami, Paul Bové, Timothy Brennan, Noam Chomsky, Ranajit Guha, Harry Harootunian, Saree Makdisi, Aamir Mufti, Roger Owen, Gyan Prakash, Dan Rabinowitz, ...
inauthor:"Edward W. Said" from books.google.com
In three elegant and important essays, originally published as pamphlets by Field Day Theatre Company, Terry Eagleton analyzes nationalism, identifying the radical contradictions that necessarily beset it; Fredric Jameson pursues the ...
inauthor:"Edward W. Said" from books.google.com
The classic book that has taught generations how to read Western literature More than half a century after its translation into English, Erich Auerbach’s Mimesis remains a masterpiece of literary criticism.